I’m not afraid of death, but I am afraid of murder.
Top: New Orleans, 1957. Bottom: Pedestrians crossing a New York street in winter time cast long shadows, 1980. Ernst Haas via everyday i show.
untitled by Pierluigi Riccio on Flickr.
…He said that the older you get, the lonelier you become, and the deeper the love you need. Which means that this hero that you’re trying to maintain as the central figure in the drama of your life— this hero is not enjoying the life of a hero. You’re exerting a tremendous maintenance to keep this heroic stance available to you, and the hero is suffering defeat after defeat. And they’re not heroic defeats; they’re ignoble defeats. Finally, one day you say, ‘Let him die— I can’t invest any more in this heroic position.’ From there, you just live your life as if it’s real— as if you have to make decisions even though you have absolutely no guarantee of any of the consequences of your decisions.
Alfred Hitchcock on the set of Frenzy (1972) (via)
untitled by Nich Hance on Flickr.
Francis Alÿs
The Nightwatch
Surveillance cameras observe a fox exploring the Tudor and Georgian rooms of the National Portrait Gallery at night.
THE INCREDIBLES by markmcevoy. Three great tastes that taste great together.
aprl2012_tunis_medina_portra400_01 by Johannes mit Fotoapparat on Flickr.
This Advanced Digital Production & Post reel screened with improvised music performed by John Hawk, Gordon Kurowski, and others as part of the CalArts end of year celebration the Bijou Fest. My class gives equal focus to exposing students to cutting edge Industry hardware, software, and workflow as well as various methods of experimental production and ultra low budget production and post solutions. These represent a few of the experiments we performed this Spring.
untitled by yannfaucher on Flickr.
untitled by Alvar Grav on Flickr.
Denis Medri returns to take a look at the rogues of Gotham and more of Batman’s supporting. Catwoman, Joker, Poison Ivy and Bane join Batgirl, James Gordon and Alfred in round out this amazing collection of Rockabilly gothamites. It’s interesting to note that reimagining Catwoman for the 1950s brings her costume full circle, close to her original suit from the 1940s.
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